– Fredericia Dagblad (DK), Nana Hanghøj

– fredericiaavisen.dk (DK)

“This is the greatest American musical since ‘Sweeney Todd”

– British Theatre

“The narrative of this poignant version of a horrifying story is beautifully and clearly expressed using outstanding music, lyrics and choreography, and exceptional vocals.”

– The Upcoming

“Lizzie is absolutely brilliant, fantastic right up there with the best of them”

– West End Wilma

“These 4 women undoubtedly bring the rock! Each one of them have insane rock voices yet their vocal qualities remain distinct and unique from each other which kept me wanting more from each of them.”

– Musical Theatre Musings

– Spy In The Stalls

“Production values are through the roof in this Goth Rock Opera that lends itself more to concert performance than traditional musical.”

– Sue Denham, Broadwaybaby

– Politikens Lokalaviser, Peter Friis Autzen

– GregersDH.dk

– Jyllands-Posten (DK), Henrik Lyding

★★★★ (of 5)

“Absolutely stunning… Lizzie is in terrific hands with a powerhouse quartet of female musical theatre voices… A blast of fresh, but bloody, air.”

– Debbie Gilpin, Broadway World

– Ungt Teaterblod

“This refreshing new production of rock musical Lizzie is the finest masterclass in how to portray a murder story.”

– Rochelle Ballboa

“four incredibly strong women who hold the stage as their own”

– Mortal Fool

On a sweltering summer morning in 1892, in a small New England city, a prominent businessman and his wife were axed to death in their home. Their daughter Lizzie Borden was the prime suspect. Lizzie’s trial was a coast-to-coast media sensation, and her story has become an American legend.

LIZZIE is four women fronting a six-piece rock band. LIZZIE is rage, sex, betrayal, and bloody murder. LIZZIE is American mythology set to a blistering rock score. LIZZIE is a new American musical with a sound owing less to Sondheim and Andrew Lloyd Webber than to Bikini Kill, the Runaways, and Heart.